A new version of "Sheffield Shanty", which was the opening track on "The Bright Carvings" (Thee SPC, 2006). It's pronounced 'Sheffield Shanty AYE AYE', not 'Sheffield Shanty two', which is what a landlubber would say.
Avast! They're leaving town two by two
As the rain pours down and we're all soaked through
And as they march away, two by two
It's like we need an ark for the rest of us
So I'll cut my hair short
And I'll make a flag from an old black dress
That I'd have worn if it hadn't rained so much
That the seven hills became seven seas
And I'll sail my house from Broomhill to Walkley
Pretty Polly is a pigeon
She's got a gammy leg and she'll eat anything
I've got an eye patch with a hole in
Cos I don't need to navigate by stars - I use the road signs and the Arts Tower
Still, the rains come
So I'll cut my hair short
And I'll make a flag from an old black dress
That I'd have worn if it hadn't rained so much
That the seven hills became seven seas
And I'll sail my house from Crookes to Don Valley
You can be my cabin boy and I can be your long lost pal
I can call you Eddie
And Eddie when you call me you can call me Captain
So I'll cut my hair short
And I'll make a flag from an old black dress
That I'd have worn if it hadn't rained so much
That the seven hills became seven seas
And I'll sail my house from Fulwood to High Green
credits
from Sheffield Shanty II / Groucho,
released February 26, 2016
Written by Nat Johnson
Brass arrangement by Damian Wileman
Produced by Dave Sanderson
Recorded at 2Fly Studios, Sheffield, 2016
Nat Johnson - guitar, vocals, percussion
Kevin Gori - slide guitar, glockenspiel
Adrian Wileman - cornets
Chris Allchin - tenor horn
Joshua Chapman - baritone horn
Damian Wileman - tuba
supported by 24 fans who also own “Sheffield Shanty II / Groucho”
This is the last Nat Johnson release I'm purchasing... well, today, that is. There are still several on my wishlist. This musical triptych is another gem in my collection. It appears to me that each of the sisters is represented by an individual instrument: Anne by the violin, Emily by the piano, and Charlotte by the accordion. I have no idea where Nat Johnson picks up all those incredible melodies and chord progressions. It seems she's living in a parallel universe where music is the ubiquitous ether, and she just breathes it in. Sven B. Schreiber
supported by 20 fans who also own “Sheffield Shanty II / Groucho”
Yes, obviously I'm buying various items from Nat Johnson's back catalog right now. This comprises "Monkey Swallows the Universe", "Nat Johnson & the Figureheads", and, of course, her solo works. The triplet of songs on this EP also appears on the live album "Roving Women: Nat Johnson plays Connie Converse (live at the Lexington with Cornerstone Brass)", besides lots of great Connie Converse covers in addition to "Talkin' Like You". The brass arrangement on "Condor" simply sweeps me away, and I can tell you that the live version of this song is just as amazing. Sven B. Schreiber
supported by 14 fans who also own “Sheffield Shanty II / Groucho”
What a splendid folk rock album... one of my favorite works of Nat Johnson. Actually, it's exactly this album that led me to her Bandcamp archive. I was searching for the collaborations of Hannah Browne, a member of the "Early Cartographers", and found her playing flute and horn on "Not Now, Horse". A lucky coincidence that triggerd several additions to my collection. Sven B. Schreiber
Elizabeth Morris of Allo Darlin’ returns with a new group! “Winter Sun” is a tender blend of pastoral folk and diary-like lyrics. Bandcamp New & Notable Apr 8, 2019
Maine singer-songwriter takes his confessional folk in an electronic direction, dabbling in synthwave textures and bedroom pop arrangements. Bandcamp New & Notable May 26, 2021